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338. Front-curtain ...

(SC)

he ... Large thymus construction.

Behind

NOTHING,

only

SLAVERY

DEBRIS

MISERY

RUIN ...

and

FIN

of

the

INVESTMENT

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337. The balcony blinded

"THE WORLD IS ALL "

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Bizkaia Mus Mus

Mus XXXI Championship of Bizkaia.

Registered Bilbao Round 2 Duranguesado Round 4 Nervión

Bilbao Round 5

http://servicios.elcorreo.com/varios/campeonato_mus/ The page is updated every Monday afternoon, after publishing the results of the previous week, on Saturday. Therefore JOURNAL channel remains the official championship .
RECORD GUINNESS PHOTOS OF MUS Album of 298 photos of this magical day that you may have in memory. If anyone wants any of these pictures with higher resolution, you can send me an email to noticiasdemus@gmail.com

To view the album and choose the photos , click here

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336. Chaos and classic art in France, Italy, Germany and Spain, 1918-1936

Aristide Maillol

Île-de-France

1925 Philadelphia Museum of Art, Philadelphia, gift of R. Sturgis and Marion BF Ingersoll, 1957. © 2010 Artists Rights Society (ARS), New York / ADAGP, Paris

Feliu Elias

Gallery

1928

MNAC-Museu Nacional d'Art de Catalunya, Barcelona, \u200b\u200bpurchase from the Barcelona International Exhibition, 1929, entry, 1931

Fernand Léger

Woman holding a vase (final state)

[Femme tenant a vase (état définitif)]

1927 Solomon R.

Guggenheim Museum, New York 58.1508, © 2010 Artists Rights Society (ARS), New York / ADAGP, Paris © The Solomon R. Guggenheim Foundation, New York

Guggenheim Bilbao

February 22, 2011 to May 15, 2011

After the chaos that followed the First World War there arose a movement towards the figurative, the clean lines and defined shape that deviates from the two-dimensional spaces of abstraction, the compositions and fragmented own disintegrating bodies of Cubism, Futurism, Expressionism and other art movements of the early twentieth century. In response to the horrors of war was typical of the new machine, the artists sought the recovery of the human body and its representation complete and intact. During the next decade and a half, the discourse of contemporary art would be dominated by classicism: a return order, synthesis, to the rule and enduring values, instead of innovation at any price that had been so important in the years before the war.

Chaos and classic art in France, Italy, Germany and Spain, 1918-1936 takes a tour of the interwar period, from the mythical idea of \u200b\u200bavant-garde poetry Paris to the historical and political concept of a renewed Roman Empire imagined by Benito Mussolini, to the high modernism of the Bauhaus Neoplatonic, and finally to the staggering beauty of the emerging culture Nazi. The exhibition relates the major movements that proclaimed the visual and thematic clarity, the purist approach, the Italian Novecento and the Neue Sachlichkeit (New Objectivity) through various topics very unique and interconnected. The presentation at the Guggenheim Museum Bilbao includes significant examples of English art that took this back to classicism. Although Spain remained neutral during the First World War, was no stranger to political changes that led to war. In 1931 came the fall of the English monarchy and five years later would explode the Civil War.

The Great Transformation the aesthetics of wars in Western Europe came to painting, sculpture, photography, film, fashion and decorative arts, so the exhibition presents works by Balthus, Giorgio de Chirico, Jean Cocteau, Otto Dix, Pablo Gargallo, Hannah Höch, Fernand Leger, Henri Matisse, Ludwig Mies van der Rohe, Pablo Picasso and August Sander.

http://www.guggenheim-bilbao.es/secciones/programacion_artistica/nombre_exposicion_descripcion.php?idioma=es&id_exposicion=138

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335. Two years = 2

Two years of "postpartum" y. ..

still in the "air"

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Courier Championship 2011 Championship mus

Many participants Courier Bizkaia Championship who are seeking information regarding items that are going to play. Tell them exclusively published this information to traverse the newspaper. The preliminary stages will be played next Monday and return on Wednesday. These confrontations were published last Thursday. The rest of clashes with other couples and have passed the preliminary stage, played for the next week and will publish such pairings, the
SATURDAY
of next week, along with results the previous one.
I hope I have help you a bit, whether they will give you more information I can, I will happy. Many thanks for all the emails received for any questions concerning what happens in the Mus in Bizkaia, in this blog we will try to help you. Remember our mail is noticiasdemus@gmail.com We are also on Facebook, with the profile. www.Facebook.com / muslari

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Anniversary 334. Asier Mendizabal in the Reina Sofia Museum

Dates: February 9 - May 2, 2011
Held Sabatini Building, 4th Floor
Organization: Museo Reina Sofia

In much of the work of Asier Mendizabal (Ordizia, 1973) history ceases to be a practice related to the past to reveal the cracks through which it becomes this intimate activity. His works, enigmatic and difficult to unravel, make the story becomes an event that updates the past, a past in which art history and ideology of the forms are of fundamental importance that refers to its link with the groups Social and use as an identification tool, glorification or condemnation. The means employed, while recognizing the weight of the sculpture in the twentieth century Basque exhibit a variety of resources to raise readings outside the reflection on space or means and, therefore, are presented in a way that rejects all metaphysics.

http://www.museoreinasofia.es/exposiciones/actuales/mendizabal.html

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Completed mus Championship has been held in recent months, comes the award and the consequent rapid.

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333. FORTUNY and splendor of the Spanish watercolor at the Museum of Prado

Mariano Fortuny y Marsal (1838-1874),

Menippus Copies of Velázquez, 1866.

Watercolor on paper 620 x 470 mm.

Ramón de Errazu 1904 Legacy

M useum del Prado, Madrid (Spain)

2 March - September 4 201 a

Room 60: presentation room collections

U na new selection of funds from the nineteenth century is shown temporarily in the "collection presentation room" created to show a rotating series of works of this century do not usually exposed and elected from among its ample funds because of their interest and quality. With the decision to create this temporary exhibition space as a closure of the route of the nineteenth century collections, the museum now features the same excellent set of watercolors by the great Catalan master Mariano Fortuny and his disciples and followers. Titled "Fortuny and splendor of the English watercolor in the Prado Museum, the gallery contains thirteen of the best watercolors of nineteenth-century artists who reached the highest perfection in the use of this painting technique. It is a rare opportunity to see these works as, due to their special physical characteristics, they can not show as usual.

http://www.museodelprado.es/exposiciones/actuales/

http://www.museodelprado.es/exposiciones/info/en-el-museo/presentacion-temporal-fortuny-y-el-esplendor-de-la-acuarela-espanola-en-el museum-of-meadow /

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332. Clarifying our steps

"Only two things contribute to progress;

go faster than others,

and follow the right path. "

(René Descartes, 1596-1650)